I was recently interviewed by the ANA, and the resulting article offers a thoughtful look at the research, manuscript structure, and artistic process behind my numismatic work. It’s written with care and accuracy, and those who appreciate the deeper, archival side of the hobby may find it a worthwhile read.

https://readingroom.money.org/?p=13964&preview=1&_ppp=f1298b035c

A Major Shift in My Studio Practice

For years, I’ve worked with the best tools available to independent artists—refining every detail, pushing the limits of high-end home studio equipment, and producing prints I’m proud to stand behind.

But now, I’m stepping into a new chapter.

I am upgrading to full commercial-grade printing systems—the kind used by top-tier galleries and museum ateliers. This shift allows me to work with the finest archival papers in the world, print with pigment inks designed for true permanence, and finish each piece with hand-deckled edges and presentation methods that reflect the highest standards in the art world.

My goal isn’t just to improve quality—it’s to align my process with the kind of care and reverence that defined the great masters. Every decision, every material, every edge is chosen with intention. I want the work to feel timeless, to carry weight, and to be built for legacy.

Thanks to everyone who’s supported me along the way. This evolution is about honoring the craft—and giving the work the platform it deserves.

More soon.

—Bob

Here is a side-by-side look at the reverse drawings of the 1882 Shield Earring pattern: the original monochrome master drawing alongside the completed full-color rendering. The color treatment is deliberately subtle, but it adds a quiet depth and dimensionality that really enhances the overall impact. I'm pleased with how it turned out.

Next up: the obverse. I’ll be diving into that this week and expect to have it wrapped by the weekend. Stay tuned!

Just finished the monochrome Master drawings of an extraordinary coin: the 1882 Morgan quarter dollar pattern, Judd-1689.
This one’s a Deep Cameo PR67—the finest known—and fewer than ten exist.
Liberty wears a Union shield earring, and the design never made it to circulation.
It’s bold, symbolic, and historically rich.
An honor to draw something this rare and meaningful.

The original drawing and a limited run of museum-grade prints will be on display at the Rosemont show.
Collectors attending can see it up close—and take home a piece of numismatic history.

Judd1689 #MorganQuarter #NumismaticArt #PentaMint #Rosemont2025 #LegacyInGraphite

Exclusive Fine Art Giveaway — Limited to the First 100 Attendees Daily!

To celebrate the GAC&C show, I’m offering a special gift to early guests:
Each morning, the first 100 attendees will receive a complimentary 8x10 fine art print from the PentaMint Collection — my newest illustrated edition featuring five historically significant U.S. coins.

What makes this giveaway truly special:

- A total of 300 numbered prints, each on archival-quality paper
- Each print labeled with official show details and date
- Retail value: $50 per print
- I’ll be available for personal signing at booths #500, 501, and 502

Edition Breakdown:

1909-O $5 Indian | 150 copies
1853-O Arrows and Rays Half | 75 copies
1854-D $3 Indian Princess | 40 copies
1837–42 $5 Bechtler | 25 copies
1870-CC Double Eagle | 10 copies

Bonus Opportunity:
Each day, one print will be randomly marked. Holders of these special editions will receive a signed and numbered 14x19 limited edition print (retail value: $120), available for pickup at my booth.

Here is my latest commission. This is the monochrome master drawing. I am currently working on the reverse monochrome master drawing. I should be moving on to the full color drawings in about a week ish...

The PentaMint Collection — 1909‑O half Eagle
An Heirloom of Rarity, Rendered in Art

The 1909‑O half Eagle is more than a coin — it is the swan song of the New Orleans Mint, struck in the final year of its operation and forever enshrined as one of the most coveted rarities in American numismatics. With its limited mintage and storied provenance, it stands as a tangible link to a vanished chapter of U.S. minting history.

This portfolio entry captures that legacy in a masterwork of archival colored pencil, digitally refined for absolute fidelity, and printed on museum‑grade stock. Each 13×19 presentation is individually signed and numbered, ensuring its place as a scarce and enduring collectible. Accompanying each print is a narrative placard that blends meticulous historical research with the drama of the coin’s survival, inviting the viewer into its journey from mint to masterpiece.

The full‑size PentaMint portfolio will make its public debut at the Great American Coin & Collectible Show in Rosemont, where collectors will have the rare opportunity to experience these works at their true scale. Upon completion of the commission, all six coins will be united in an exclusive, hand‑bound 12×24 leather coffee table volume — a strictly limited edition reserved for discerning collectors and institutions, destined to command pride of place in any world‑class collection.

Here is my latest commission. This is one of the drawings I am creating for the PentaMint Collection. It is a collection of gold and silver coins from 5 former mints. So far I have completed a 1854-D 3 dollar Indian, a 1853-O Seated Liberty with arrows and rays, a 1909-O 5 dollar Indian and this wonderful 1870-CC Double Eagle.

I have started work on his 1837-42 5 dollar Bechtler. After that he has one more that he wants me to complete from the Charlotte mint.

His package includes the original artwork, 8 formatted prints of each in a binder with commentary on each coin and drawing in the package as well as a coversheet describing the entire collection and his collecting goals. And to top it off, 1 large format (24x36) HD ChromaLuxe Sublimation High-Gloss Metal Print of his favorite formatted prints (6 total)

He tells me he is going to hang the polished metal prints at his family estate. I am not sure where this is, but I would love to visit one day, if I could be so lucky.

I have just finished my latest commission.

I received the kindest message from one of my patrons, along with a photo of the framed drawings displayed in her husband's office. She said they’ve become “by far his favorite gift in 17.5 years”—which completely floored me.

It’s moments like these that remind me why I create. Seeing the artwork thoughtfully framed and knowing it holds personal meaning for someone... it’s incredibly rewarding.

Thank you for sharing this, and for giving my work a place in your world.

Here is a flattering note sent me by one of my patrons...

A Stunning Presentation for My Collection

I’ve been working with Robert “Bob” Jullian since late 2024, and the experience has been exceptional from the very beginning. He’s professional, highly responsive, and brings a thoughtful, collaborative approach to every project. To date, Bob has created four pieces for my coin collection—each one beautifully executed and carefully considered.

Most recently, he produced a print using the ChromaLuxe HD metal process, and the result was nothing short of stunning. The colors are vibrant, the detail razor-sharp, and the finish has real depth and presence. This isn’t just a surface print—the image is infused into the metal itself, giving it a refined, durable quality that perfectly complements the visual richness of the collection.

Perhaps most meaningful, Bob’s work helps me explain the collection to the vast majority of my friends who aren’t coin collectors. His artwork tells the story in a way that’s instantly engaging and accessible.

I fully intend to have more pieces created. The current work is already a centerpiece I’m proud to display as part of The Pentamint Collection, which highlights 19th-century U.S. and private mint silver and gold coinage.

"I recently finalized the formatting of my latest drawings into a series of prints, dedicating considerable time and effort to the process. These pieces represent my closest approach to photorealism thus far. However, I find myself questioning whether this is the direction I should pursue. At times, I feel drawn toward a more expressive, artistic style rather than strict photorealism. To explore this further, I plan to reinterpret one of my completed drawings in a more artistic manner and seek feedback on the results."

Here is the finished canvas print number one of twenty five almost ready to ship. I just need to sign and number it. It will go off to its new home tomorrow...

**FOR IMMEDIATE RELEASE**
Golden Splendor: Limited-Edition Giclée Print Auctioned at PNG Awards Dinner, Original Artwork Still Available**

Schaumburg, IL – Numismatic artist Robert Julian, in collaboration with painter Robert Lamb, unveiled *Golden Splendor*, a breathtaking artwork that captivated collectors at the 2025 Professional Numismatists Guild (PNG) awards dinner. The first in a limited-edition series of 25 giclée prints was auctioned off during the event, with Seth Chandler of Witter Coin in San Francisco, CA securing the winning bid of $2,550.

A photo captured the moment as Julian, Chandler, and the print stood together, commemorating the successful auction. The artwork, with its striking gold tones and intricate design, radiates sophistication and artistic mastery.

Interest in *Golden Splendor* continued the following day, with print number two selling to Matt Dingler of Lost Dutchman Coin in Indianapolis, Indiana, for an undisclosed amount. Now, collectors have the opportunity to acquire prints numbered 3 through 25, available for purchase at $2,000 each.

Additionally, the original painting remains available for acquisition at $6,000. For inquiries and acquisition details, interested buyers can contact numismatic artist Robert Julian at 630-815-7994.

All set up and am ready to rock and roll.